Nathaniel Dorsky
Raised in New York on a steady diet of Westerns and Disney True-Life Adventures, Nathaniel Dorsky started shooting 8mm movies at the age of eleven. In 1963, when he had just turned 20, he made Ingreen, a boldly symbolic psychodrama about a young man’s sexual coming of age. At that film’s premiere, he met soon-to-be fellow filmmaker Jerome Hiler, who would become his partner in life and a major inspiration for his work. (“We were filming for one another,” Hiler recently said.) In 1971 the two moved to San Francisco, where they’ve lived ever since. Around the same time, Dorsky entered a decade-long creative silence. He returned in 1982 with Hours for Jerome, a 55-minute feature compiled from footage shot between 1966 and 1970. Like all of Dorsky’s subsequent work, it’s a kind of cinematic lyric poem, entirely silent and rooted in a centuries-old tradition of devotional art (in this case, medieval illuminated manuscripts and prayer books).
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Played Self
Average Rating4.710 votesRelease DateJan 31, 197749 years ago -
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Played Himself
Average Rating5.01 votesRelease DateJun 02, 196759 years ago -
Played Himself
Average Rating0.00 votesRelease DateSep 16, 201114 years ago -
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Played Self
Average Rating0.00 votesRelease DateJan 01, 201412 years ago -
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