The Long Arm
Scotland Yard detectives attempt to solve a spate of safe robberies across England beginning with clues found at the latest burglary in London. The film is notable for using a police procedural style made popular by Ealing in their 1950 film The Blue Lamp. It is known in the US as The Third Key.
Crew
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Charles Frend
Director
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Robert Barr
Screenplay
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Roy Gough
Still Photographer
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Janet Green
Screenplay
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Edward Carrick
Art Direction
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Harry Frampton
Makeup Artist
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Michael Balcon
Producer
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Gerard Schurmann
Original Music Composer
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Gordon Dines
Director of Photography
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Anthony Mendleson
Costume Design
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Thomas N. Morahan
Associate Producer
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Daphne Martin
Hairstylist
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Gordon Stone
Editor
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