Amor
Shot in Rome and Salzburg’s natural theatre, the film uses cutting and sewing as metaphors for love, separation, and the craft of montage. Cloth being trimmed, hands clapping, and tools striking accompany images of tailoring, architectural restoration, and Beavers himself in a new suit, linking gesture and sound to the editing process.
Crew
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Robert Beavers
Director
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Robert Beavers
Cinematography
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Robert Beavers
Editor
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Richard Davis
Co-Producer
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Kyra Reese
Screenplay
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Tom Goodwin
Sound
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Ando Kimura
Story
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Ando Kimura
Line Producer
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Lanitta Hayes
Cinematography
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Ronald King
Editor
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Jennifer Bennett
Editor
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Miranda Ludwig
Costume Design
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