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Around Perception
An early experiment in employing computers to animate film. The result is a dazzling vibration of geometric forms in vivid color, an effect achieved by varying the speed at which alternate colors change, so producing optical illusions. In between these screen pyrotechnics appears a simple line form gyrating in smooth rhythm. Sound effects are created by registering sound shapes directly on the soundtrack of the film.
Crew
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Robert Verrall
Producer
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Pierre Hébert
Director
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Pierre Hébert
Music
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Claude Lapierre
Animation
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