Razzle Dazzle: The Lost World

Avant-garde master Ken Jacobs' dizzying digital reinvention of a 1903 Edison "actuality" stretches and bends the one-minute film to an incredible, almost hallucinogenic ninety-three, combining period stereoscopic slides to create a fascinating play of depth and 2- and 3-dimensionality, narrative and scintillating spectacle.